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Moore Compares Trek to Galactica
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Aug 29 - Retro Review: Hero Worship
A young boy who is the sole survivor of a disaster that killed his parents decides to emulate Data.

Aug 21 - Retro Review: New Ground
Worf's human mother brings his son Alexander on board, insisting that she can no longer raise the boy.

Aug 14 - Retro Review: A Matter of Time
When a visitor from a future era arrives on the ship, Picard asks for assistance about how to save a dying planet.

July 31 - Retro Review: Unification, Part Two
Picard learns the reason for Spock's visit to Romulus: an attempted reunification of the Vulcan and Romulan races.

July 17 - Retro Review: Unification, Part One
Shocked to learn that Spock may have defected to the Romulans, Picard and Data cross the Neutral Zone in to find him.

July 10 - Retro Review: The Game
When an interactive game becomes addictive to the crew, Wesley Crusher and his new girlfriend must save the day.

June 20 - Retro Review: Disaster
Troi must take command of the ship while Picard struggles to work with three children and Worf delivers Keiko's baby.

June 6 - Retro Review: Silicon Avatar
A scientist pursuing the Crystalline Entity discovers that Data's brain holds her son's memories.

May 30 - Retro Review: Ensign Ro
A court-martialed Starfleet officer from occupied Bajor is sent to help locate a terrorist leader.

May 23 - Retro Review: Darmok
Picard is exiled with the leader of an alien race who speaks in incomprehensible metaphors.

May 15 - Retro Review: Redemption, Part Two
Picard discovers that Tasha Yar's Romulan daughter is influencing the Klingon civil war.

May 9 - Retro Review: Redemption, Part One
When Picard is asked as Arbiter of Succession to oversee Gowron's installation, Worf resigns from Starfleet to fight against the Duras family.

May 2 - Retro Review: In Theory
Data creates a romantic subroutine to experiment with love.

Apr 24 - Retro Review: The Mind's Eye
LaForge is kidnapped and altered by Romulans to take part in an assassination plot against a Klingon governor.

 
By Michelle
February 28, 2005 - 5:10 PM

"Star Trek’s style is so specific: the way Klingons speak, the way Romulans speak, etc. With BSG, this show is going to feel like 'us' and be contemporary in terms of character and dialogue, which will encourage more colloquialisms, a more natural way of speaking," said Ron Moore, the former Star Trek writer who's now executive producer of the new Battlestar Galactica on the Sci-Fi Channel. "[Our] characters’ voices have been set only to a certain extent by the miniseries."

Speaking to About.com, Moore said that his goal was to work the science fiction angle of Battlestar Galactica in a new and different way. "One of the things we’re trying to do is reinvent the space opera, from the way we shoot it to the way things behave," he noted. "Things have become very stale in the genre. We know what the characters are going to do. They're going to sit in a big fat chair and look at the viewscreen, and so on...the space opera has been defined." When executives hire science fiction writers, he added, "The way this business works right now, studios say, 'Star Trek is what works – give us another Star Trek.'"

With Galactica, however, Moore wanted to do something else. "Sci-Fi has developed so many well-worn grooves," he observed. "Sometimes we get something different, like Roswell or Buffy – but even Buffy had to be so ironic about itself." He said that for him, a good story is "something I haven’t seen a million times on Magnum PI, something that takes the narrative a different way."

Interviewer Julia Houston suggested to Moore that his re-visioning of the original Battlestar Galactica reminded her of the way fans write fan fiction, trying to "fix" elements of the original to make them better. "I never looked it at that way, but it’s certainly possible," Moore conceced. "I watched the original as a kid and loved it, but there were things that bothered me...I always sort of thought that the original series was a bit at odds with itself - very dark, but now here we are at the Casino Planet. The show’s a product of its time. It’s ABC; it’s the 70s; it’s coming off of Star Wars. There’s a real internal contradiction."

Moore described his team as "a corral of writers, somewhat as with Star Trek", and said he wanted the series to be "a vehicle to comment on us today" like the original Star Trek. "The Enterprise was encountering an alien, but it was always a metaphor for something that was happening in our world. Now, it’s harder to write sci-fi that will wow you with science and technology. Society’s caught up."

For more on the series, see the interview at About.com.

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