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Abrams Describes Trailer Scenes
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Aug 29 - Retro Review: Hero Worship
A young boy who is the sole survivor of a disaster that killed his parents decides to emulate Data.

Aug 21 - Retro Review: New Ground
Worf's human mother brings his son Alexander on board, insisting that she can no longer raise the boy.

Aug 14 - Retro Review: A Matter of Time
When a visitor from a future era arrives on the ship, Picard asks for assistance about how to save a dying planet.

July 31 - Retro Review: Unification, Part Two
Picard learns the reason for Spock's visit to Romulus: an attempted reunification of the Vulcan and Romulan races.

July 17 - Retro Review: Unification, Part One
Shocked to learn that Spock may have defected to the Romulans, Picard and Data cross the Neutral Zone in to find him.

July 10 - Retro Review: The Game
When an interactive game becomes addictive to the crew, Wesley Crusher and his new girlfriend must save the day.

June 20 - Retro Review: Disaster
Troi must take command of the ship while Picard struggles to work with three children and Worf delivers Keiko's baby.

June 6 - Retro Review: Silicon Avatar
A scientist pursuing the Crystalline Entity discovers that Data's brain holds her son's memories.

May 30 - Retro Review: Ensign Ro
A court-martialed Starfleet officer from occupied Bajor is sent to help locate a terrorist leader.

May 23 - Retro Review: Darmok
Picard is exiled with the leader of an alien race who speaks in incomprehensible metaphors.

May 15 - Retro Review: Redemption, Part Two
Picard discovers that Tasha Yar's Romulan daughter is influencing the Klingon civil war.

May 9 - Retro Review: Redemption, Part One
When Picard is asked as Arbiter of Succession to oversee Gowron's installation, Worf resigns from Starfleet to fight against the Duras family.

May 2 - Retro Review: In Theory
Data creates a romantic subroutine to experiment with love.

Apr 24 - Retro Review: The Mind's Eye
LaForge is kidnapped and altered by Romulans to take part in an assassination plot against a Klingon governor.

 
By T'Bonz
November 19, 2008 - 8:59 PM

In the past few days, the new trailer for Star Trek XI has been discussed and questions have been raised by fans, but some of these questions may have been answered recently by comments from Star Trek XI Director J.J. Abrams on some of the scenes in the trailer.

As reported by Empire, since the release of the Star Trek XI trailer, fans have discussed, picked over, argued about and questioned various elements from the new trailer but fans have been given some explanations with the comments included with thirty-one different photos from the trailer.

Abrams began with the initial scenes of a young Kirk riding in the Corvette and on the motorbike. "The idea with the trailer was to start with something unexpected and Earth-bound and then thrust you into the world of Trek. The scenes on Earth were important to feel a sense of future but also a real sense of now as well. Star Wars is a long time ago in a galaxy far, far away but Star Trek is our future, so it's important that we not feel disconnected from that. There are a couple of sequences that take place in Iowa and some in San Francisco and it was just important that the movie feel connected to familiar terrain before it became about things that you more might expect."

The fate of both the USS Kelvin and James T. Kirk's parents was explained. "The USS Kelvin, the ship upon which Kirk's parents serve. It (and they) meet a sticky end at the beginning of the film at the hands of Nero." The fate of the USS Kelvin is not surprising when Abrams reveals that "We know from the preview footage that [Nero's shadowy vessel] manages to take down forty-seven Klingon Warbirds single-handedly."

And Nero's background is explained too. "Nero in rags being manhandled by Klingon guards (yes, they're Klingons under the masks). "Part of Nero's back story is that he was being held in a Klingon prison, so that's what you're seeing here."

Several comments were about crew members. "Hikaru Sulu lays into Romulan soldiers with his extendable pocket katana," says Abrams. He goes on to praise Anton Yelchin as Chekov and explains the "w" for "v" usage. "He's from Russia originally and one of our early discussions was that they don't transpose 'w' and 'v'; that's not a Russian thing. In fact it's more a Polish thing. But I was like 'I think we have to do it anyway'. It's so what you know with Chekov so we kept what had come before." Finally, the Uhura dressing scene is explained. "This is a very funny scene where Kirk is in Uhura's room, watching her undress, and she very quickly realizes he's there."

To read more comments and to see the pictures, head to the article located here.

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