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Mulgrew Speaks On Children, Theatre and Plans
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Aug 29 - Retro Review: Hero Worship
A young boy who is the sole survivor of a disaster that killed his parents decides to emulate Data.

Aug 21 - Retro Review: New Ground
Worf's human mother brings his son Alexander on board, insisting that she can no longer raise the boy.

Aug 14 - Retro Review: A Matter of Time
When a visitor from a future era arrives on the ship, Picard asks for assistance about how to save a dying planet.

July 31 - Retro Review: Unification, Part Two
Picard learns the reason for Spock's visit to Romulus: an attempted reunification of the Vulcan and Romulan races.

July 17 - Retro Review: Unification, Part One
Shocked to learn that Spock may have defected to the Romulans, Picard and Data cross the Neutral Zone in to find him.

July 10 - Retro Review: The Game
When an interactive game becomes addictive to the crew, Wesley Crusher and his new girlfriend must save the day.

June 20 - Retro Review: Disaster
Troi must take command of the ship while Picard struggles to work with three children and Worf delivers Keiko's baby.

June 6 - Retro Review: Silicon Avatar
A scientist pursuing the Crystalline Entity discovers that Data's brain holds her son's memories.

May 30 - Retro Review: Ensign Ro
A court-martialed Starfleet officer from occupied Bajor is sent to help locate a terrorist leader.

May 23 - Retro Review: Darmok
Picard is exiled with the leader of an alien race who speaks in incomprehensible metaphors.

May 15 - Retro Review: Redemption, Part Two
Picard discovers that Tasha Yar's Romulan daughter is influencing the Klingon civil war.

May 9 - Retro Review: Redemption, Part One
When Picard is asked as Arbiter of Succession to oversee Gowron's installation, Worf resigns from Starfleet to fight against the Duras family.

May 2 - Retro Review: In Theory
Data creates a romantic subroutine to experiment with love.

Apr 24 - Retro Review: The Mind's Eye
LaForge is kidnapped and altered by Romulans to take part in an assassination plot against a Klingon governor.

 
By Michelle
September 6, 2005 - 7:29 PM

Kate Mulgrew spoke at the Creation convention in Las Vegas last month about her changing priorities as she reached the age of 50, her fondest recollections of Star Trek and what it's been like being Katharine Hepburn on stage for the past several years.

In a transcript of her talk at Totally Kate!, Mulgrew related that she had just returned from several weeks' vacation in Ireland with her 21-year-old son, with whom she had intended to write poetry, of which "I wrote eight...he wrote, however, fifty, and some rather splendid stories." Calling her life "charmed", she said that she intended to give back to victims of Alzheimer's and domestic violence and put slightly less of an emphasis on her career.

"My husband's impetus...is a life of public service," she explained. "They're asking him to look into the Senate seat – all of which fills me with a certain kind of dread. He turns sixty next year – the lucky dog! And I feel that I must protect him a little bit. But I would honor him if he chose to pursue another campaign." Known for making political comments, the actress said she thought Captain Janeway would "beam somebody out" to end the Iraq war.

Mulgrew answered more than one question about Janeway, saying that she had to employ strict discipline when she played the character and was concerned that the target audience would regard her as maternal. "I realized that the circumspection that I had to bring to Janeway is absolutely the thing I am proudest of," she said. "You don't follow a captain whom you cannot trust emotionally. There must be a certain very simple detachment." She joked about "Threshold" the episode "in which I gave birth to fifty-two lizards", though she bristled when a fan suggested that the writing for Janeway had been rather schizophrenic.

Asked whether she preferred acting onstage to acting in the theatre, Mulgrew replied, "I used to watch Jeri Ryan with the camera. There was a real love affair between the two of them. I mean this honestly, and I mean it in a flattering way. She knew that camera, she trusted it, she brought it to her...I used to go in to the camera at five-thirty in the morning and say, 'Are we going to get along today?' Because it's an instrument." She said she preferred live interaction to that.

Reiterating that she was not a fan of Hepburn until she began to do research for Tea at Five, Mulgrew laughed that she would never have been considered for Cate Blanchett's role as the younger Hepburn in The Aviator and said that she hoped to take the play to London. But she reiterated, "I need to slow down a little bit...acting is wonderful – God knows it's been sublime. But I heretofore would like to be driven by love." She said that she had written poetry for some time and would like to become a better poet.

The full transcript is at Totally Kate!

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